Cine Lenses for Z CAM E2-M4

Cine

Cine Lenses for Z CAM E2-M4

Cine lenses are a type of lens designed explicitly for videography and filmmaking. While they can also be used for photography, they are not as commonly used for this purpose. Cinema lenses are distinguished from regular camera lenses by their construction and features. They typically have a longer focus throw, which allows for more precise focusing, and a de-clicked aperture, which enables smoother transitions between different aperture settings. A Cine lens also typically have a more robust build quality, making them better suited for heavy use. While cine lenses can be used for photography, they are not necessarily the best option for every situation.


Cine lenses are an essential tool for filmmakers and video producers, providing superior image quality and precise control over focus and depth of field. These lenses are specifically designed for motion picture production, featuring calibrated focus and iris rings, consistent T-stop ratings, and a wide range of focal lengths. Cine lenses are larger and heavier than photo lenses, which helps reduce camera shake and movement resulting in smoother, steadier shots.

When it comes to selecting the best cine lenses, Irix Cinema Lenses are the top choice for professionals. These lenses are completely weather-sealed, full-frame, lightweight, and compact, making them the perfect option for any production. Available in a range of mounts, including Canon EF, Arri PL, Canon RF, Sony E, Nikon Z, L-mount, MFT, and Fuji X, these lenses offer unmatched versatility and exceptional quality.

Built with high-quality optics and robust construction, Irix Cine Lenses are designed to withstand heavy use and are backed by a 10-year warranty. Whether you're working on a feature film, a commercial, or a documentary, Irix Cine Lenses are the ideal option for any production, offering outstanding image quality, precision, and consistency that will help elevate your work to the next level.

Irix Cine Lenses are the best option when you need to do a professional job.


Looking for high-quality cinema lenses that won't break the bank? Look no further than the for Z CAM E2-M4. Our lenses are designed in Europe and are made in South Korea to the highest standards, making them perfect for professional cinematographers. Plus, they're weatherproof, meaning you can shoot in any conditions. These for Z CAM E2-M4 have been specially designed to use with this Camera. Specially designed to be used with the Z CAM E2-M4 camera and provide exceptional results in all kinds of situations. Order your Z CAM E2-M4 Cine Lenses now and take your filmmaking to the next level!

Z CAM E2-M4

Recent reviews from our users.

montreuil Irix Cine 21mm T1.5 (Feet): really impressed
5 out of 5 stars
I purchased this lens for my sony FX9 and I shoot with the raw extension. I mostly use the 28/135 F4 sony cine zoom lens. I needed something a bit more wide with a fastest aperture. My dream came true. this lens is excellent, extremely sharp and delivered stunning results. I have tried also the sony 16/35 GM master f2.8.. . but sometimes a real cine lens is better when autofocus(es) has their limitations and when manual focus is required for creativity. highly recommended
James Irix Cine 150mm T3.0 Macro 1:1 (Feet): Perfect addition to my lens kit
5 out of 5 stars
I needed a lightweight, cinema style macro lens for my motion control rig. This works perfectly. At the right price. Very happy
Richard Irix Cine 30mm T1.5 (Feet): Solid, sharp, character
5 out of 5 stars
What more could you ask for in a lens. I was very skeptical at first as I work in film production and we rent lenses all the time. I wanted something that I could use for my red that could live on the camera for run and gun doc work. This lens has blown me away in the short two days I've used it. It is very sharp and has this unique look to that reminds me of having a pro mist filter on it. The build is heavy and strong and feels like a mini tank. I've gambled with lenses for 5 years and am very happy with this purchase. I will be buying more. Thanks Irix!!!!!!! You guys rule.
RYAN S. Irix Cine 15mm T2.6 (Feet): perfect
5 out of 5 stars
sharpest lens i?ve ever used! i?ll definitely be checking out some more of the cine line :)
Adam S. Irix Cine 150mm T3.0 Macro 1:1 (Feet): Really good lens.
5 out of 5 stars
Overall great lens. The only bad thing is the lens cap. Make sure you buy a normal lens cap and ditch this rounded magnetic mess. Image quality is clean and sharp without being clinical looking.
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Manuel Irix Cine 45mm T1.5 (Feet): It catches your eye immediatel
5 out of 5 stars
It never stoped to amaze me the kind of build this lens has. Nice big and a little on the heavy size. I will compromise well build for fragility, I may also add this has a very nice glass. Overall very satisfied with the lens.
Robert Irix Cine 15mm T2.6 (Feet): May be my new favorite lens!
5 out of 5 stars
Feels solid, but isn't overly heavy. Image quality is great and distortion is reasonable. I shoot it both full frame and S35 and it handles both well. As others have said, it's true that the lens cap is wonky. Apparently they have a fixed one that you can order separately and hopefully that's what will ship with new copies of the lens. I use it via an adapter and did have a little trouble finding a friendly one. Fotodiox PL-EF did NOT work. I eventually went with some no-names on eBay that did.
Matthew Irix Cine 150mm T3.0 Macro 1:1 (Feet): gorgeous Macro upgrade
5 out of 5 stars
Switching to the IRIX 150mm T3.0 Macro 1:1 Cine Lens from the Canon 100mm macro photo lens significantly enhanced my macro videography capabilities. The added 50mm focal length allows for closer, more detailed shots and a comfortable working distance, ideal for intricate scenes. This lens incorporates cinema-grade features, including a T3.0 aperture for superb performance in various lighting conditions, and precise control over focus and aperture, elevating the cinematic quality of your footage. The lens's build is both durable and weather-sealed, ready for any shooting environment. Its sharpness is a standout feature, delivering crystal-clear images that showcase the finest details of your subject. This sharpness, alongside the extended focal length and cinema functionality, makes the IRIX 150mm a significant upgrade for filmmakers seeking to advance their macro cinematography. It's a powerful tool that combines creativity, control, and quality, making it an excellent choice for anyone looking to step up their macro video production.
Neill Irix Cine 21mm T1.5 (Feet): Our preferred lens series
5 out of 5 stars
In over 40 years of industrial and feature film making, the Irix primes are my favorite series of prime lenses, favored over the big name lenses that cost 4-5x. They are fast, sharp, have very natural-looking out-of-focus highlights, and the sealing is a bonus for those like us, who shoot a lot of exteriors. Hopefully Irix will soon offer something in the 65mm-85mm range so we can relegate our current short telephoto to the B camera lens set.
Jorge Irix Cine 45mm T1.5 (Feet): Solid; sharp; and affordable!!
5 out of 5 stars
I've been renting cine lenses for years for some of our bigger projects but never pulled the trigger on getting one. I mean, I have the Sigma 18-35 Art (photo) lens and I just can't justify spending 4K on the cine version. But this lens comes at a great price (paid $1,200) which in early 2020, happens to be cheaper than the Xeen primes. Not to mention Canon, Sigma, Zeiss CPs and the rest. -- I've shot a few test shots and the 45 looks very sharp and smooth with no noticeable CA. Focus throw is 180 and the overall feel is solid! - Can't wait for Irix to come out with a couple of more primes.
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Van Irix Cine 45mm T1.5 (Feet): True Cine Lens with unbeatable price
5 out of 5 stars
First of all, this is a sharp lens with all the features I look for in a cine prime - no noticeable focus breathing, nice long throw, and a solid build. The size is also nice - it's quite a bit smaller than my Sony primes or than other primes in the same price range. Once you factor in full frame coverage, you'd be spending an extra $5000 at least to match the quality in any other cine l
Michael Irix Cine 15mm T2.6 (Feet): Wow
5 out of 5 stars
This is a really good lens. Great build quality, excellent performance, low distortion, little breathing. I'm going to get a set of these Irix Lenses, pretty impressed!
Matthew Irix Cine 15mm T2.6 (Feet): car interior beast!
5 out of 5 stars
The IRIX 15mm T2.6 Cine is my go-to for shooting in tight spaces, like car interiors. Its wide-angle capability allows for capturing extensive detail in confined areas, making it ideal for automotive shoots. The T2.6 aperture ensures excellent performance in low-light conditions, crucial for maintaining quality inside vehicles. Balancing impressively on gimbal rigs, it proves to be a versatile workhorse, capable of handling dynamic shots with stability and clarity. Its durable build adds to its reliability, making it a trustworthy choice for demanding environments. In short, the IRIX 15mm T2.6 combines wide-angle versatility, low-light proficiency, and rugged durability, standing out as an essential lens for producing high-quality, creative shots in limited spaces. It’s a valuable asset for any video project requiring sharp and expansive visuals in compact settings.
Joshua Irix Cine 30mm T1.5 (Feet): Great Lens for the price.
5 out of 5 stars
I bought this lens to match my other IRIX lenses 15, 45, 150 and it matches quiet well. The lens is very sharp and has good image quality.
Guy J. Irix Cine 15mm T2.6 (Feet): Must have
5 out of 5 stars
I love it. Great for the prices.
AMMON E. Irix Cine 45mm T1.5 (Feet): Very good lens for the price
5 out of 5 stars
This is a very well built lens, very sharp, good bokeh, good cine features
BMPCC Irix Cine 21mm T1.5 (Feet): Very sharp and clear image
5 out of 5 stars
The lens came very well packaged. The actual lens is very high quality. after using it for a short amount of time i can see that it is very well made and feels very nice to use. I got the MFT mount to u
Joshua Irix Cine 150mm T3.0 Macro 1:1 (Feet): Create Lens - Super sharp
5 out of 5 stars
The image shows a close up of a Lego set using the IRIX 150mm lens. In that picture you can see the small rigs in the gray plastic that is not visible by just looking at it.
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Shaun Irix Cine 21mm T1.5 (Feet): A much needed upgrade
5 out of 5 stars
This lens is truly a gem. Superb craftsmanship, sharpness and color rendition., it's a wide angle lens with very little distortion. Pulling focus is a breeze with this lens. With added accessories it has turned my BGH1 into a full-fledged cinema rig.
Michael Irix Cine 45mm T1.5 (Feet): Best value Cine lens by far
5 out of 5 stars
8K sharpness, weatherproof, low focus breathing, solid metal build quality, 180 degree focus throw. The list of features go on and on. For the price I have never found a lens like this. I compared for months Sigma Art series, SLR Magic's, Zeiss Milvus. Personally this lens should sit next to higher price brackets like Sigma Cine, New XEENs, Zeiss CP2's. Having this lens for a week I can say this lens lives up to every feature. Shooting on my Pocket 6K this thing makes it feel like I have a whole new camera or at least like I'm finally taking full advantage of my sensor. Can't recommend this lens enough. I plan on buying the brand new 15mm Cine and the 150mm Cine macro all 3 will be the price of a single average priced Cine lens!

FAQ Cine Lenses for Z CAM E2-M4

Is Z Cam E2 full-frame?

Z CAM E2-F6 EF-Mount Overview The camera features a full-frame sensor with 10-bit 4:2:2 color support and nominal 15 stops of dynamic range, supports timecode, shoots up to 6K at up to 60 fps, and records data up to 300 Mb/s onto CFast 2.0 media.

Is the Z cam worth it?

The Z Cam E2 S6 is not a great choice for a production that has a budget for rental RED, Arri, Sony, Panasonic, or Canon cinema cameras. I would also say the Blackmagic Pocket Cinema Camera series (4K and 6K), which I have used alongside the S6, and all DSLR-type video-focused cameras are also not good choices.

Is Z Cam a Chinese company?

ZCam is a Chinese camera company with products manufactured in China and parts supplied from the controversial Chinese company Huawei. ZCam is owned by Chinese parent company Shenzhen ImagineVision Technology Limited.

What is the native ISO of ZCam E2 M4?

Exposure and White Balance The E2-M4 uses a dual-native-ISO sensor rated at ISO 500 / 1250, or 250 / 1250 in WDR mode. Depending on image profile, you can set ISOs from 500 to 102400, or use auto-ISO with selectable low and high limits. You can choose shutter speeds or shutter angles.

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