Cine Lenses for Sony FX6

Sony FX6

Cine

Cine Lenses for Sony FX6

Cine lenses are a type of lens designed explicitly for videography and filmmaking. While they can also be used for photography, they are not as commonly used for this purpose. Cinema lenses are distinguished from regular camera lenses by their construction and features. They typically have a longer focus throw, which allows for more precise focusing, and a de-clicked aperture, which enables smoother transitions between different aperture settings. A Cine lens also typically have a more robust build quality, making them better suited for heavy use. While cine lenses can be used for photography, they are not necessarily the best option for every situation.


Cine lenses are an essential tool for filmmakers and video producers, providing superior image quality and precise control over focus and depth of field. These lenses are specifically designed for motion picture production, featuring calibrated focus and iris rings, consistent T-stop ratings, and a wide range of focal lengths. Cine lenses are larger and heavier than photo lenses, which helps reduce camera shake and movement resulting in smoother, steadier shots.

When it comes to selecting the best cine lenses, Irix Cinema Lenses are the top choice for professionals. These lenses are completely weather-sealed, full-frame, lightweight, and compact, making them the perfect option for any production. Available in a range of mounts, including Canon EF, Arri PL, Canon RF, Sony E, Nikon Z, L-mount, MFT, and Fuji X, these lenses offer unmatched versatility and exceptional quality.

Built with high-quality optics and robust construction, Irix Cine Lenses are designed to withstand heavy use and are backed by a 10-year warranty. Whether you're working on a feature film, a commercial, or a documentary, Irix Cine Lenses are the ideal option for any production, offering outstanding image quality, precision, and consistency that will help elevate your work to the next level.

Irix Cine Lenses are the best option when you need to do a professional job.


Are you looking for lenses for the new Sony FX6 Full-Frame Cinema Camera? We've got you covered. We've put together a list of cine lenses that are perfect for Sony E Mounts. Each of these lenses will give you the utmost quality of footage, allowing you to achieve that cinematic look. 

The Irix Cinema lenses are our top choice for Sony FX6 users. These lenses are specifically designed for cinema cameras and produce stunning footage, making them a great option for both professionals and amateurs alike. They come with a great range of focal lengths, from 11mm to 150mm, allowing you to shoot whatever you need. Plus, they come with unique features such as weatherproof sealing, full-frame coverage, and high-end mechanics. 

In addition to Irix Cinema lenses, there are plenty of other great lens options available for Sony FX6 cameras. Some of these include the Sigma Cine lenses, Zeiss Standardprimes, and Canon CN-E lenses. All of these offer outstanding image quality and are perfect for filmmakers of all levels. 

But they can be costly compared to Irix Lens.

No matter what type of lens you choose for your Sony FX6, you can be sure that you're getting an amazing product. You can capture stunning cinematic footage and create amazing films with the right lens.

Sony FX6

Recent reviews from our users.

Ronan Sony FX6 Lenses Irix Cine 15mm T2.6 (Feet): Sharp, rugged, professional
5 out of 5 stars
This lens works as advertised. It has a ton of professional features and a lower price range.
Guy J. Sony FX6 Lenses Irix Cine 15mm T2.6 (Feet): Must have
5 out of 5 stars
I love it. Great for the prices.
Matthew Sony FX6 Lenses Irix Cine 150mm T3.0 Macro 1:1 (Feet): workhorse of a cine Macro
5 out of 5 stars
The IRIX 150mm is an excellent choice for those looking to capture highly detailed, true-to-life close-ups. Its magnification ratio means you can get incredibly close to your subjects, rendering them in life-size on the screen, which is perfect for both professional and creative projects. The T3.0 aperture ensures that you have flexibility with light, working well in both bright outdoor settings and more controlled indoor environments. This lens is built to last, with a robust, weather-sealed construction that can handle a variety of shooting conditions without breaking a sweat. The focus and aperture adjustments are smooth and precise, which is crucial for making those critical, on-the-fly changes during a shoot. Image quality is where this lens truly shines, delivering sharp, clear visuals with beautiful background blur that helps your subject stand out. It's equipped with features like geared rings that are compatible with follow-focus systems, making it an excellent fit for professional video production. While it's a bit heavier and requires manual focus, the quality and versatility it offers make it a worthy addition to your kit. Overall, the IRIX is a solid investment for filmmakers and videographers seeking exceptional detail and build quality in their work.
Richard Sony FX6 Cine Lenses Irix Cine 30mm T1.5 (Feet): Solid, sharp, character
5 out of 5 stars
What more could you ask for in a lens. I was very skeptical at first as I work in film production and we rent lenses all the time. I wanted something that I could use for my red that could live on the camera for run and gun doc work. This lens has blown me away in the short two days I've used it. It is very sharp and has this unique look to that reminds me of having a pro mist filter on it. The build is heavy and strong and feels like a mini tank. I've gambled with lenses for 5 years and am very happy with this purchase. I will be buying more. Thanks Irix!!!!!!! You guys rule.
Carlos Sony FX6 Cine Lenses Irix Cine 150mm T3.0 Macro 1:1 (Feet): Beautiful lens that produces great images.
5 out of 5 stars
I shoot surgical/medical and thus needed that reach (compared to the Rokinon 100mm macro I was using before) in order to remain non-invasive to a health care professional's space. I also wanted a cine version of a macro so this was perfect and really there is no other option other than another 100mm macro cine lens. The images coming from my Fuji X-T3 with this lens are fantastic (rigged as shown using an EF to X-mount adapter). Feels like a solid lens. Not a fan of the magnetic hood but I use a matte box so no biggie. Lens cap and mount cover do suck, they feel like they could break from a drop. Focus ring is smooth but the iris ring is much looser in comparison, I wish they had the same tension.
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Brandon Sony FX6 Cine Lenses Irix Cine 15mm T2.6 (Feet): amazing look and solid build
5 out of 5 stars
I really enjoy this lens. The look of the image is sharp and feels amazing. The build is tanky. No regrets.
Neill Sony FX6 Cine Lenses Irix Cine 21mm T1.5 (Feet): Our preferred lens series
5 out of 5 stars
In over 40 years of industrial and feature film making, the Irix primes are my favorite series of prime lenses, favored over the big name lenses that cost 4-5x. They are fast, sharp, have very natural-looking out-of-focus highlights, and the sealing is a bonus for those like us, who shoot a lot of exteriors. Hopefully Irix will soon offer something in the 65mm-85mm range so we can relegate our current short telephoto to the B camera lens set.
Chancellor D. Sony FX6 Cine Lenses Irix Cine 45mm T1.5 (Feet): You Need These Lens
5 out of 5 stars
I have the 15,21,30,45 & 150mm and let me say I love them all!! Great lens, solid build, image is superb, way better than the Rokinon Cine series
Irix Cine 45mm T1.5 (Feet) review
AMMON E. Sony FX6 Cine Lenses Irix Cine 45mm T1.5 (Feet): Very good lens for the price
5 out of 5 stars
This is a very well built lens, very sharp, good bokeh, good cine features
Gordon Sony FX6 Cine Lenses Irix Cine 45mm T1.5 (Feet): IRIX 45mm T1.5 Cine Lens
4 out of 5 stars
I've used this lens with my Sony A7S3 for only a couple weeks. I'm not a pro by any means but I've been shooting video for about 5 years. I've been using mostly Sony still camera lenses and their power zoom G kit lenses 18-104mm f4 and 28-135 F4. I like the power zoom but neither of these lenses are actually parfocal and they are not that sharp and prone to focus hunting. I got the IRIX as my first affordable cine lens. I like it for focus pulls which aren't easy or fun using autofocus lenses. The IRIX is sharp and the video looks professional when I'm doing my job behind the camera.
C B. Sony FX6 Cine Lenses Irix Cine 45mm T1.5 (Feet): My Iris are Irix
5 out of 5 stars
Great neutral image which allows you to create the look that you want. Would like for Irix to fill out their set though. They have a limited selection of cinema glass. What a shame.
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Joshua Sony FX6 Cine Lenses Irix Cine 30mm T1.5 (Feet): Great Lens for the price.
5 out of 5 stars
I bought this lens to match my other IRIX lenses 15, 45, 150 and it matches quiet well. The lens is very sharp and has good image quality.
Dominic Sony FX6 Cine Lenses Irix Cine 11mm T4.3 (Feet): Good
5 out of 5 stars
Clear on my blackmagic 12k
Michael Sony FX6 Cine Lenses Irix Cine 15mm T2.6 (Feet): IRIX 15mm
5 out of 5 stars
I use this coupled with my BMPCC 6K Pro. Like most cinema lenses, this is massive. Be prepared for a workout if you are going handheld. Gearing is very smooth, although a bit stiff if not using a focus wheel. I own all of the cinema lenses and two of the three have decent magnetic hoods, while one does not appear to be as strong. This doesn't affect me as I utilize a matte box. Like most have stated, the lense cover is complete garbage. Pops off for no apparent reason.
Matthew Sony FX6 Cine Lenses Irix Cine 150mm T3.0 Macro 1:1 (Feet): gorgeous Macro upgrade
5 out of 5 stars
Switching to the IRIX 150mm T3.0 Macro 1:1 Cine Lens from the Canon 100mm macro photo lens significantly enhanced my macro videography capabilities. The added 50mm focal length allows for closer, more detailed shots and a comfortable working distance, ideal for intricate scenes. This lens incorporates cinema-grade features, including a T3.0 aperture for superb performance in various lighting conditions, and precise control over focus and aperture, elevating the cinematic quality of your footage. The lens's build is both durable and weather-sealed, ready for any shooting environment. Its sharpness is a standout feature, delivering crystal-clear images that showcase the finest details of your subject. This sharpness, alongside the extended focal length and cinema functionality, makes the IRIX 150mm a significant upgrade for filmmakers seeking to advance their macro cinematography. It's a powerful tool that combines creativity, control, and quality, making it an excellent choice for anyone looking to step up their macro video production.
Lester Sony FX6 Cine Lenses Irix Cine 150mm T3.0 Macro 1:1 (Feet): Would buy again
5 out of 5 stars
Beautiful image and solid construction, looks great on set of a production
C B. Sony FX6 Cine Lenses Irix Cine 45mm T1.5 (Feet): Hidden Gem
5 out of 5 stars
Excellent affordable cine lens that I?m using on a full frame beast of a camera! Sigma fp!!
Matthew Sony FX6 Cine Lenses Irix Cine 15mm T2.6 (Feet): car interior beast!
5 out of 5 stars
The IRIX 15mm T2.6 Cine is my go-to for shooting in tight spaces, like car interiors. Its wide-angle capability allows for capturing extensive detail in confined areas, making it ideal for automotive shoots. The T2.6 aperture ensures excellent performance in low-light conditions, crucial for maintaining quality inside vehicles. Balancing impressively on gimbal rigs, it proves to be a versatile workhorse, capable of handling dynamic shots with stability and clarity. Its durable build adds to its reliability, making it a trustworthy choice for demanding environments. In short, the IRIX 15mm T2.6 combines wide-angle versatility, low-light proficiency, and rugged durability, standing out as an essential lens for producing high-quality, creative shots in limited spaces. It’s a valuable asset for any video project requiring sharp and expansive visuals in compact settings.
Lester Sony FX6 Cine Lenses Irix Cine 150mm T3.0 Macro 1:1 (Feet): Great image for detail shots
5 out of 5 stars
Excellent for detail shots. It works as a telephoto lens but focus pull is way to fine beyond a couple of feet away from subject to really rack focus, so I would not recommend using this as a telephoto unless you can fix focus. No complaints as a macro lens though.
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Grant Sony FX6 Cine Lenses Irix Cine 15mm T2.6 (Feet): Cute little nugget
5 out of 5 stars
15mm on S35 is great. I thought this would be too wide and wished IRIX made a 25 or 35 but actually to compliment the existing 45 they sell this 15 is a good match feeling wide but not super distorted wide. Magnetic hoods are cool, but not so much if you are filming metalworking - all the dust just sits on those magnets. Minor quibble but the lens is great!

FAQ Cine Lenses for Sony FX6

Is Sony FX6 Netflix approved?

Best Netflix approved cameras: our top picks The Sony FX6 answers a real need for filmmakers that Sony's mirrorless Alpha cameras do not.

Why the FX6 is so good?

The Sony FX6 is a workhorse. Its robust and lightweight material is only an added benefit to its exceptional image quality and feasibility. Its internal NDs, dual native ISOs, industry leading autofocus, and so on make it a camera worth investing in and relying on. This camera will hold its value for years to come.

What is FX6 used for?

ILME-FX6T/ILME-FX6V Inside a compact body that's ready for grab-and-shoot action, the FX6 packs a highly sensitive, full-frame image sensor with the power to expand your moviemaking creativity. New software is now available. Power up your camera to further enhance shooting ease.

Does FX6 shoot 4K 120fps?

You get 4K DCI (4096 x 2160) up to 60 fps and UHD up to 120 fps. Best file format is XAVC-I (up to 60p) and XAVC-L (up to 120p). You get 10-bit 4:2:2 internally in all modes. Dynamic range is claimed to be 15+ stops in S-Log3 (S-Gamut3, and S-Gamut3.

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