Cine Lenses for Freefly Ember S2.5K

Freefly Ember S2.5K

Cine

Cine Lenses for Freefly Ember S2.5K

Cine lenses are a type of lens designed explicitly for videography and filmmaking. While they can also be used for photography, they are not as commonly used for this purpose. Cinema lenses are distinguished from regular camera lenses by their construction and features. They typically have a longer focus throw, which allows for more precise focusing, and a de-clicked aperture, which enables smoother transitions between different aperture settings. A Cine lens also typically have a more robust build quality, making them better suited for heavy use. While cine lenses can be used for photography, they are not necessarily the best option for every situation.


Cine lenses are an essential tool for filmmakers and video producers, providing superior image quality and precise control over focus and depth of field. These lenses are specifically designed for motion picture production, featuring calibrated focus and iris rings, consistent T-stop ratings, and a wide range of focal lengths. Cine lenses are larger and heavier than photo lenses, which helps reduce camera shake and movement resulting in smoother, steadier shots.

When it comes to selecting the best cine lenses, Irix Cinema Lenses are the top choice for professionals. These lenses are completely weather-sealed, full-frame, lightweight, and compact, making them the perfect option for any production. Available in a range of mounts, including Canon EF, Arri PL, Canon RF, Sony E, Nikon Z, L-mount, MFT, and Fuji X, these lenses offer unmatched versatility and exceptional quality.

Built with high-quality optics and robust construction, Irix Cine Lenses are designed to withstand heavy use and are backed by a 10-year warranty. Whether you're working on a feature film, a commercial, or a documentary, Irix Cine Lenses are the ideal option for any production, offering outstanding image quality, precision, and consistency that will help elevate your work to the next level.

Irix Cine Lenses are the best option when you need to do a professional job.


Freefly Ember S2.5K Lenses: A Comprehensive Guide

Choosing the right lens for your camera can transform your filmmaking. The right lens can capture the perfect depth, detail, and clarity needed to make your project stand out. This is especially true when it comes to the Freefly Ember S2.5K camera with Sony E Mount. With its high-resolution capabilities and versatility, the Freefly Ember S2.5K is a favorite among filmmakers. To help you make the most of this camera, we’ve compiled a list of cine lenses that pair excellently with it.

While there are many options out there, we’ve found that Irix Cinema Lenses are the best match for the Freefly Ember S2.5K. Here’s why:

Irix Cinema Lenses: The Best Option for Freefly Ember S2.5K

The Irix Cinema Lenses are a standout choice for several reasons. They offer an incredible balance between price and performance, making them a great investment for filmmakers who want to create high-quality content without breaking the bank.

One of the key features of the Irix Cinema lenses is their sharpness. They offer a high level of detail, ensuring that every shot is as clear and crisp as possible. This is especially important when shooting in 2.5K with the Freefly Ember S2.5K, as the high resolution of the camera can highlight any issues with lens clarity.

Another great feature of the Irix Cinema lenses is their durable construction. They are built to withstand the rigors of filmmaking, ensuring that they can handle the demands of any shoot. This means that you can rely on them to deliver consistent results, shoot after shoot.

Finally, the Irix Cinema lenses offer a great range of focal lengths. This means that you can easily adapt to any shooting scenario, from wide-angle shots to close-ups. This versatility makes them a great option for filmmakers who want to be able to capture a wide range of shots with their Freefly Ember S2.5K.

Conclusion

Choosing the right lens for your camera is a critical part of the filmmaking process. For those using the Freefly Ember S2.5K, the Irix Cinema lenses are an excellent choice. They offer a perfect balance of price and performance, with features that make them perfect for shooting in 2.5K. So whether you're a seasoned filmmaker or just starting out, consider the Irix Cinema lenses for your next project.

Freefly Ember S2.5K

Recent reviews from our users.

Ronan Freefly Ember S2.5K Cine Lenses Irix Cine 15mm T2.6 (Feet): Sharp, rugged, professional
5 out of 5 stars
This lens works as advertised. It has a ton of professional features and a lower price range.
Guy J. Freefly Ember S2.5K Cine Lenses Irix Cine 15mm T2.6 (Feet): Must have
5 out of 5 stars
I love it. Great for the prices.
Matthew Freefly Ember S2.5K Cine Lenses Irix Cine 150mm T3.0 Macro 1:1 (Feet): workhorse of a cine Macro
5 out of 5 stars
The IRIX 150mm is an excellent choice for those looking to capture highly detailed, true-to-life close-ups. Its magnification ratio means you can get incredibly close to your subjects, rendering them in life-size on the screen, which is perfect for both professional and creative projects. The T3.0 aperture ensures that you have flexibility with light, working well in both bright outdoor settings and more controlled indoor environments. This lens is built to last, with a robust, weather-sealed construction that can handle a variety of shooting conditions without breaking a sweat. The focus and aperture adjustments are smooth and precise, which is crucial for making those critical, on-the-fly changes during a shoot. Image quality is where this lens truly shines, delivering sharp, clear visuals with beautiful background blur that helps your subject stand out. It's equipped with features like geared rings that are compatible with follow-focus systems, making it an excellent fit for professional video production. While it's a bit heavier and requires manual focus, the quality and versatility it offers make it a worthy addition to your kit. Overall, the IRIX is a solid investment for filmmakers and videographers seeking exceptional detail and build quality in their work.
Richard Freefly Ember S2.5K Lens Irix Cine 30mm T1.5 (Feet): Solid, sharp, character
5 out of 5 stars
What more could you ask for in a lens. I was very skeptical at first as I work in film production and we rent lenses all the time. I wanted something that I could use for my red that could live on the camera for run and gun doc work. This lens has blown me away in the short two days I've used it. It is very sharp and has this unique look to that reminds me of having a pro mist filter on it. The build is heavy and strong and feels like a mini tank. I've gambled with lenses for 5 years and am very happy with this purchase. I will be buying more. Thanks Irix!!!!!!! You guys rule.
Carlos Freefly Ember S2.5K Lens Irix Cine 150mm T3.0 Macro 1:1 (Feet): Beautiful lens that produces great images.
5 out of 5 stars
I shoot surgical/medical and thus needed that reach (compared to the Rokinon 100mm macro I was using before) in order to remain non-invasive to a health care professional's space. I also wanted a cine version of a macro so this was perfect and really there is no other option other than another 100mm macro cine lens. The images coming from my Fuji X-T3 with this lens are fantastic (rigged as shown using an EF to X-mount adapter). Feels like a solid lens. Not a fan of the magnetic hood but I use a matte box so no biggie. Lens cap and mount cover do suck, they feel like they could break from a drop. Focus ring is smooth but the iris ring is much looser in comparison, I wish they had the same tension.
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Brandon Freefly Ember S2.5K Lens Irix Cine 15mm T2.6 (Feet): amazing look and solid build
5 out of 5 stars
I really enjoy this lens. The look of the image is sharp and feels amazing. The build is tanky. No regrets.
Neill Freefly Ember S2.5K Lens Irix Cine 21mm T1.5 (Feet): Our preferred lens series
5 out of 5 stars
In over 40 years of industrial and feature film making, the Irix primes are my favorite series of prime lenses, favored over the big name lenses that cost 4-5x. They are fast, sharp, have very natural-looking out-of-focus highlights, and the sealing is a bonus for those like us, who shoot a lot of exteriors. Hopefully Irix will soon offer something in the 65mm-85mm range so we can relegate our current short telephoto to the B camera lens set.
Chancellor D. Freefly Ember S2.5K Lens Irix Cine 45mm T1.5 (Feet): You Need These Lens
5 out of 5 stars
I have the 15,21,30,45 & 150mm and let me say I love them all!! Great lens, solid build, image is superb, way better than the Rokinon Cine series
Irix Cine 45mm T1.5 (Feet) review
AMMON E. Freefly Ember S2.5K Lens Irix Cine 45mm T1.5 (Feet): Very good lens for the price
5 out of 5 stars
This is a very well built lens, very sharp, good bokeh, good cine features
Gordon Freefly Ember S2.5K Lens Irix Cine 45mm T1.5 (Feet): IRIX 45mm T1.5 Cine Lens
4 out of 5 stars
I've used this lens with my Sony A7S3 for only a couple weeks. I'm not a pro by any means but I've been shooting video for about 5 years. I've been using mostly Sony still camera lenses and their power zoom G kit lenses 18-104mm f4 and 28-135 F4. I like the power zoom but neither of these lenses are actually parfocal and they are not that sharp and prone to focus hunting. I got the IRIX as my first affordable cine lens. I like it for focus pulls which aren't easy or fun using autofocus lenses. The IRIX is sharp and the video looks professional when I'm doing my job behind the camera.
C B. Freefly Ember S2.5K Lens Irix Cine 45mm T1.5 (Feet): My Iris are Irix
5 out of 5 stars
Great neutral image which allows you to create the look that you want. Would like for Irix to fill out their set though. They have a limited selection of cinema glass. What a shame.
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Irix Cine 45mm T1.5 (Feet) review
Joshua Freefly Ember S2.5K Lens Irix Cine 30mm T1.5 (Feet): Great Lens for the price.
5 out of 5 stars
I bought this lens to match my other IRIX lenses 15, 45, 150 and it matches quiet well. The lens is very sharp and has good image quality.
Dominic Freefly Ember S2.5K Lens Irix Cine 11mm T4.3 (Feet): Good
5 out of 5 stars
Clear on my blackmagic 12k
Michael Freefly Ember S2.5K Lens Irix Cine 15mm T2.6 (Feet): IRIX 15mm
5 out of 5 stars
I use this coupled with my BMPCC 6K Pro. Like most cinema lenses, this is massive. Be prepared for a workout if you are going handheld. Gearing is very smooth, although a bit stiff if not using a focus wheel. I own all of the cinema lenses and two of the three have decent magnetic hoods, while one does not appear to be as strong. This doesn't affect me as I utilize a matte box. Like most have stated, the lense cover is complete garbage. Pops off for no apparent reason.
Matthew Freefly Ember S2.5K Lens Irix Cine 150mm T3.0 Macro 1:1 (Feet): gorgeous Macro upgrade
5 out of 5 stars
Switching to the IRIX 150mm T3.0 Macro 1:1 Cine Lens from the Canon 100mm macro photo lens significantly enhanced my macro videography capabilities. The added 50mm focal length allows for closer, more detailed shots and a comfortable working distance, ideal for intricate scenes. This lens incorporates cinema-grade features, including a T3.0 aperture for superb performance in various lighting conditions, and precise control over focus and aperture, elevating the cinematic quality of your footage. The lens's build is both durable and weather-sealed, ready for any shooting environment. Its sharpness is a standout feature, delivering crystal-clear images that showcase the finest details of your subject. This sharpness, alongside the extended focal length and cinema functionality, makes the IRIX 150mm a significant upgrade for filmmakers seeking to advance their macro cinematography. It's a powerful tool that combines creativity, control, and quality, making it an excellent choice for anyone looking to step up their macro video production.
Lester Freefly Ember S2.5K Lens Irix Cine 150mm T3.0 Macro 1:1 (Feet): Would buy again
5 out of 5 stars
Beautiful image and solid construction, looks great on set of a production
C B. Freefly Ember S2.5K Lens Irix Cine 45mm T1.5 (Feet): Hidden Gem
5 out of 5 stars
Excellent affordable cine lens that I?m using on a full frame beast of a camera! Sigma fp!!
Matthew Freefly Ember S2.5K Lens Irix Cine 15mm T2.6 (Feet): car interior beast!
5 out of 5 stars
The IRIX 15mm T2.6 Cine is my go-to for shooting in tight spaces, like car interiors. Its wide-angle capability allows for capturing extensive detail in confined areas, making it ideal for automotive shoots. The T2.6 aperture ensures excellent performance in low-light conditions, crucial for maintaining quality inside vehicles. Balancing impressively on gimbal rigs, it proves to be a versatile workhorse, capable of handling dynamic shots with stability and clarity. Its durable build adds to its reliability, making it a trustworthy choice for demanding environments. In short, the IRIX 15mm T2.6 combines wide-angle versatility, low-light proficiency, and rugged durability, standing out as an essential lens for producing high-quality, creative shots in limited spaces. It’s a valuable asset for any video project requiring sharp and expansive visuals in compact settings.
Lester Freefly Ember S2.5K Lens Irix Cine 150mm T3.0 Macro 1:1 (Feet): Great image for detail shots
5 out of 5 stars
Excellent for detail shots. It works as a telephoto lens but focus pull is way to fine beyond a couple of feet away from subject to really rack focus, so I would not recommend using this as a telephoto unless you can fix focus. No complaints as a macro lens though.
Irix Cine 150mm T3.0 Macro 1:1 (Feet) review
Grant Freefly Ember S2.5K Lens Irix Cine 15mm T2.6 (Feet): Cute little nugget
5 out of 5 stars
15mm on S35 is great. I thought this would be too wide and wished IRIX made a 25 or 35 but actually to compliment the existing 45 they sell this 15 is a good match feeling wide but not super distorted wide. Magnetic hoods are cool, but not so much if you are filming metalworking - all the dust just sits on those magnets. Minor quibble but the lens is great!
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