Shot on Irix: OBSESSION | Prologue - The Build

When it comes to the world of documentary filmmaking, the lens used can make all the difference in how the story unfolds before our eyes. It has the power to draw viewers in, making them feel as if they are right there with the subjects, experiencing every moment as they do. The Irix Cine 45mm T1.5 is a testament to this principle, and its contribution to the documentary video "OBSESSION | Prologue - The Build" is nothing short of remarkable.

A Lens that tells a Story

The Irix Cine 45mm T1.5 is not just any lens. It has a reputation for delivering unparalleled image quality, with a beautiful, soft bokeh and sharp focus that allows filmmakers to truly bring their vision to life. Its wide aperture provides a great depth of field, ensuring that every detail, no matter how minute, is captured with precision. This makes it an ideal choice for projects that demand a cinematic touch, and "OBSESSION | Prologue - The Build" is a prime example.

Inside "OBSESSION | Prologue - The Build”

Produced by Corsa Werks, it takes viewers behind the scenes, delving into the hurdles and high-stakes challenges faced by Paul, Mike, Maciek, Fuffolo, Stowell, and Gonzo. This team embarks on a daunting mission: building the Lamborghini GT3 EVO2 for the NTE Team, all while racing against the clock to make it in time for the 24h of Daytona. Adding to the tension is the fact that essential parts were held up in customs until the very last moment.

However, what sets video apart is not just its gripping narrative. The way it is shot, particularly with the Irix Cine 45mm T1.5, gives audiences an immersive experience. Through this lens, we're brought into the intimate spaces of the team, feeling every ounce of their passion, dedication, and commitment.

With 98% shot on the Irix Cine 45mm T1.5 (barring a few macro shots), it's evident that this lens was instrumental in conveying the heart of the story. The crisp visuals, combined with the lens's ability to blur backgrounds beautifully, ensured that the attention remained on the subjects, drawing viewers into their world.

As with all Irix Cine lenses, the 45mm T1.5 is available in nothing less than 8 different mounts: 

• Canon EF
• Canon RF
• Arri PL
• Sony E
• Leica L
• Micro Four Third
• Fujifilm X
• Nikon Z